Alden Eide owns it. He is seventy-one, has run the place since his father did, and spends most of harvest in the front office with the books or out at the dryer. The scale house belongs to the manager.
The manager is my cousin. Brent Nordby is forty, my Aunt Lorraine’s boy, a big pleasant man with a good laugh who coached the junior high wrestling team for six years. I have eaten more of his mother’s lefse than I can count. He was at my wedding. He was at my mother’s graveside.
I want you to hold on to that, because it is the part that made me sick.
Here is how I first knew something was off. It was the Sunday after that first bad ticket, and Dad’s neighbor Conrad Torgerson came by to borrow a socket set.
Conrad farms the quarter section that touches ours on the north side. He planted the same hybrid we did, bought from the same seed dealer, and harvested the same week. Conrad has a little handheld moisture meter that he keeps in his shop, a Dickey-john, bought used at an auction years ago.
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“Mind if I run a handful of yours?” Conrad said. He was only curious. He held his hand out toward the bed of the truck, which still had a thin scatter of corn in the corners.
Dad shrugged. Conrad scooped a cupful from the bed, dropped it into the meter, and pushed the button. It beeped. He read the screen and turned it so I could see it.
“Fifteen and a half,” he said. “Maybe fifteen. Same as mine. We both let it stand in the field till the stalks went brittle.”
I took the ticket out of my pocket and held it next to the screen. Twenty-one point three.
Conrad looked at the ticket. Then he looked at Dad, and Dad looked at the barn.
“Lars,” Conrad said slowly. “They got you at twenty-one?”
“The machine reads what it reads.”
“That machine read my corn at fifteen-six on Thursday.” Conrad’s voice was very quiet. “Same week. Same dry stalks.”
Dad did not answer him. He picked up the socket set and put it in Conrad’s hands and said thank you for coming by.
After Conrad left, I went into the house and I did the thing I am good at, which is paperwork. Dad keeps every scale ticket in Mom’s old tin recipe box on the shelf above the kitchen sink. He has done this for decades. His mother taught him to.
I spread the tickets on the table. Fifteen loads delivered so far, and they were nearly every ticket for the corn crop. I set them in order by date and I read down the column of moisture numbers.
Twenty-one point two. Twenty point nine. Twenty-one point five. Twenty-one. Twenty-one point three.
You know what dry corn does if you grew up in one of these towns. It does not read twenty-one for fifteen loads in a row in a cold, dry October. It moves around with the weather.
Dad’s corn never moved. It sat at twenty-one on a clear day and on a foggy day, in the morning and in the afternoon. A real meter does not behave like that. A number that somebody typed in behaves like that.
I got out the elevator’s rate sheet, which comes folded into every ticket envelope. The elevator takes corn at fifteen percent moisture with no charge. For every point over fifteen, they take one and three tenths percent of the load in shrink, plus three cents a bushel in drying.