The Check
He kept his word, which I had not expected.
He sold the lot in December to a group out of Tucson for six hundred and ten thousand dollars. He sold the house on Elm Street a month later. Imelda told me he and Gilbert sat at a kitchen table for three weeks with the folder and a calculator and worked out what every person was owed.
He wrote twenty-nine checks. He wrote one more to the memory care home in Tucson, for a year in advance, and he told Imelda that was the only check he had ever written that he felt no shame about.
Mine came last. I had asked that it be, because Clarice Whitlock and Tomas Barraza had waited longer than I had, and the Abeyta family had waited four years.
On a cold morning in January he came to my door in Pima in a borrowed pickup. He had not asked to come. Gilbert drove him, and sat in the truck with the engine running.
Orson stood on my porch with his cap in his hand. He gave me an envelope. Inside was a cashier’s check for twelve thousand four hundred and sixty-eight dollars.
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That was the eleven thousand four hundred I had paid at the lot, plus one thousand and sixty-eight dollars he had added from my receipts: the tow, the alignment, two tires, and the Wednesday I took off.
On the memo line, in his square hand, he had written two words. I will not tell you what they were. I keep that to myself.
I did not forgive him on the porch. I told him that, so he would not have to wonder. I said, “I am glad you did it, Mr. Stubbs. That is all I have today.”
“That’s more than I’d have given,” he said.
He looked past me, into the house, where Poppy had come to the kitchen doorway holding a plastic cup, and he lifted a hand to her, very small, and put it down again.
Then he went back to the truck, and Gilbert drove him away. The state moved in the second week of January. The motor vehicle office revoked his dealer license, and by then the lot was already empty. The government arrived the way it always does, after the town had finished.
The Odyssey
I bought a van in February.
It was a 2012 Honda Odyssey with ninety-four thousand miles, from a retired couple in Thatcher whom Rosalba had known for thirty years, and it cost eight thousand two hundred dollars. Nacho had it on his lift most of a Saturday, and he put Brodie on the creeper and let him look too.
“Tell me what a factory weld looks like,” Nacho said.
“Buttons,” said Brodie.
“What does it look like when somebody is hiding something?”
“Like candle wax,” said Brodie, with great satisfaction.
Nacho installed Poppy’s car seat himself, in the middle of the back. He tugged the strap twice. Then he stood back with his hands on his hips, and he looked at the seat for a long moment, and at my daughter, who was banging a plastic spoon on the tray.
“There,” he said. “That’s a seat.”
I tried to pay him for the inspection. He said I had already paid him, by being brave enough to put my name on it. Rosalba set a foil tray of tamales on the passenger seat of the Odyssey and told me not to argue.
I drove home on Highway 70 at fifty-five miles an hour with both hands on the wheel. The cotton fields on either side were bare and brown, and Mount Graham was white at the top. Poppy was asleep before we passed the Pima turnoff.
Brodie was looking out of the window behind me. He was quiet for a long time.
“Mom,” he said. “This one doesn’t wander.”
“No,” I said. “It doesn’t.”
“Can I ride up front when I’m twelve?”
I laughed, and I looked at him in the mirror, my boy with his crayon-stained hands, who had made a sign that said no yelling.
“Thirteen,” I said. “We agreed.”
The last time I saw Orson Stubbs was in March, outside the storage place on Highway 70. He was loading boxes into a borrowed truck, and Gilbert was holding the door. He looked older, and smaller, and lighter. He saw me across the lot.
He lifted one hand. I lifted mine.
That was all I had, and it was enough.
This story is a dramatization. Names, characters, and details are invented, and any resemblance to real people or events is coincidental.