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The Steers My Uncle Took Credit For

Page 6

My eyes were wet before any of them had said anything. I couldn’t have told you why.

I just stood there at the trailer gate holding onto the cold pipe and smiling like a fool with tears on my face.

Mabry walked straight up to the trailer gate and stopped right in front of me.

She looked up at me, and then she took a big breath and turned around to face the reporter.

“Are you the man from the newspaper?” she asked.

Teodor looked at Royce, then at her, then back at Royce. “I am,” he said. “Who are you?”

“I’m Mabry Lusk. My grandma runs the pantry.” She pointed back over her shoulder at the pen without looking.

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“Those are Brynn’s steers. We fed them with her every Saturday since April. That big one is the Thanksgiving steer.”

Teodor didn’t write anything down. He just looked at her.

“She gets up before her mail route and feeds them in the dark,” Mabry said.

“And she lets us carry the buckets. We wanted to say thank you. So we made her a sign.”

Then she turned to the other kids and said, “Flip it,” and eleven kids turned the bedsheet around, a little clumsy, one corner almost getting away from a boy in a red stocking cap.

On the back side, in big red letters a foot tall, uneven and dripping in places, it said: Thank You Brynn. Under that, smaller, in black, it said: From The Saturday Kids.

The Clapping

I don’t know who started it. I think it was Coralee, at the fence.

Somebody started clapping, slow and steady, and then somebody else, and then the whole crowd at the pens was clapping.

Forty people, give or take. Mothers and grandmothers, men in feed caps, church ladies in gloves. Nobody whooped or hollered.

It was just clapping, warm and steady, the kind you hear at the end of a funeral hymn when everybody is holding it together.

The two men from the locker clapped with their caps tucked under their arms.

Hoyt himself had driven out that day, and he clapped with his big rough hands and nodded at me once, like he was saying, about time.

I didn’t know where to look. I looked at Mabry, mostly. She was grinning so wide her braids were shaking, and she kept glancing at the reporter to make sure he was paying attention.

I looked at Royce once. I wish I could tell you what was on his face.

He was standing by my trailer with both hands at his sides, and he looked like a man who had just heard his own name called in church for something he didn’t do.

He wasn’t angry. I’ll give him that. He looked tired, and old, and smaller than I had ever seen him. He looked at the sheet and then at the ground.

Teodor walked over to me. He was a nice young man, really. His ears were red from the cold, and I think from something else too.

“Ma’am,” he said quietly, so only I could hear. “Are these your steers?”

“They are,” I said. “Raised them from calves on my granddaddy’s place. The kids helped.”

“Why didn’t you say something?”

I shrugged. “It’s a charity drive,” I told him. “It’s not supposed to be about who gave what. And he’s my daddy’s brother.”

He looked at me for a long moment, and then he looked at Royce, and then he did something I’ll never forget.

He took the notebook out of his jacket pocket, turned back to his first page, and drew a single straight line through what he had written there.

Then he turned to the crowd and lifted his camera.

“Can I get everybody?” he called out. “Kids with the sign, right here in front. Ms. Caudle, would you stand in the middle, please? Right by your trailer. And the folks from the pantry, come on in.”

On page 7

The Picture I didn't want to. I want that on the record.

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