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The Mailbox My Daughter Paid For

Page 4

I drove to the farm store in town on Friday after work and bought a black steel mailbox, a treated four-by-four post, and a bag of crushed gravel for the bottom of the hole. That part I paid for myself. A mother is allowed one thing.

I had read the postal service rules the night before, because someone had to. A box has to sit forty-one to forty-five inches off the road to its floor, and six to eight inches back from the edge. I wrote the numbers on the back of my hand in pen, like a girl with a test.

Saturday came up cold and bright and clear, the kind of morning where you can see a mile down the road and every cornfield stands pale and dry. The ground had thawed by nine. We had only had a light freeze, nothing near deep enough to stop a shovel.

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Emma wore her diner apron over her gray hoodie because her lunch shift started at noon and she did not want to be late. She pulled her ponytail tight, and then tighter. She carried the digger, and I carried the post. Neither of us talked on the drive.

Harold Mercer’s farm sits on a rise on the north side of the road: a white farmhouse with a deep porch, and a barn that has not held animals in a good while. Dry corn stood tall behind the house, and it ran off in long gold rows.

The old mailbox was still where Tammy’s photo had shown it. Someone had stood it on its side against the fence, as if to keep it from being run over again. His pickup sat near the road with the taillight cracked and the lens taped over with clear packing tape.

I looked at the wiper on the driver’s side. The note was gone.

“He found it,” Emma said. Her voice was small.

“That’s good. That means he knows who you are.”

“Or he threw it away.”

“Or that.”

We parked beside the truck and got out. Emma stood with the digger in both hands, looking up the long gravel drive at the house. I watched her swallow.

“You don’t have to do the talking,” I said. “I’ll come up with you.”

“No.” She shook her head. “I’ll go. You stay with the post.”

She walked up that drive by herself with her apron strings swinging and a long white bank envelope in her fist. I watched her climb the three porch steps and stand there with her hand raised. Then she knocked.

The door opened before her hand came down the second time, as though someone had been standing on the other side of it.

I could not hear what was said. I could see Harold, a tall, stooped man in a plaid jacket and a knit cap, with a cane hooked over his forearm. He looked at Emma, then at the envelope. Then he took something small from his jacket pocket, a piece of paper folded and soft at the creases from being opened too many times.

On page 5

"You're the girl who left the note," I heard him say.

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