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The Quilt in the Bank Window

Photo: Pexels

The quilt building at the county fair smells the same every July. Warm wood, popcorn drifting in from the midway, and the dusty breath of a dozen box fans pushing hot air from one end of the barn to the other.

I had come in out of the sun to cool off and look at the canning and the quilts, the way I have done every summer since I was a girl in pigtails holding my mother’s hand. I was 51 years old that July, and I still walked the aisles the same slow way she taught me.

I saw the rings before I saw anything else. Interlocking circles of tiny curved wedges, every color you can name, set on a cream background and hung from the top rail at the very end of the aisle where the best quilts always go.

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My feet stopped on their own. I knew that quilt the way you know your own handwriting. I knew it the way you know the sound of your mother coming up the basement stairs.

It was Mom’s Double Wedding Ring. Her 61st quilt. The one she had told all of us, more than once, would be her last.

A blue ribbon was pinned to the corner. Above it hung a big purple rosette with gold streamers that said Champion. The fans made the streamers flutter like they were waving at me.

I walked closer. My throat was dry. I read the white entry card tacked to the rail, the one every exhibitor fills out at the entry table, the one that tells the judges and the whole county whose work it is.

Exhibitor: Shawna Kiel. Class: Pieced Quilt, Hand Quilted. Pieced and quilted by exhibitor.

I read it three times. I took my reading glasses off my head and put them on and read it a fourth time, as if the letters might rearrange themselves into the right name if I just looked hard enough.

They didn’t. My brother’s wife had entered my mother’s quilt under her own name, and it had won.

A woman in a fair volunteer shirt sat at a folding table near the door with a clipboard and a paper cup of lemonade. She smiled at me when I turned around. She was seventy if she was a day, and I didn’t know her.

“Isn’t that one something?” she said. “The judge said she hadn’t seen hand quilting that fine in twenty years. Eleven stitches to the inch. Can you imagine having that kind of patience?”

“I can,” I said. My voice came out strange. “I know exactly how much patience it took.”

I did not make a scene. I did not go to the table and demand anything. I walked back out into the bright July afternoon and sat in my car with the windows down.

And I thought about the hours.

On the next page

The hours My mother is Margarethe Kiel. She is 80 years old.

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